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I’m channeling Martha Stewart today with a home décor post, so bear with me this morning.

As we head into another year of unusual holiday entertaining chances are there will still be fewer people around your table. Fewer guests don’t mean you should back down on the fancy arrangements.  Instead, why not get creative and try something different?

I don’t know about you, but when I have company, I like to set a decorative table. It’s one of the reasons I have ten different sets of dishes and several different sets of glassware. I can set a Disney table, complete with themed flatware and napkin rings; go native American with my Indian patterned dishes; have an indoor garden party with my garden dishes; set two different themed Christmas tables; or celebrate the Fourth of July Americana style. I also have two sets of patterned Corelle®, a plain white Corelle set, and plain colored stoneware that will span several seasons.

I know, I know. That’s way too many plates, cups and bowls for one person to own. But, much to my hubby’s chagrin, it’s a quirky fetish of mine. I collect dishes like most women collect shoes. I can’t bypass a single display of dishes without lusting after them. I realize most women don’t have access to such a wide variety of dishes, aside from Martha Stewart perhaps. But even if you don’t have a bazillion complete sets of dishes, you can still set a decorative table.

Having said that, I decided to challenge myself and my overabundant dish fetish. Instead of using a complete set of one of the ten dish setting I have, could I create four seasonal table settings using only four white dinner plates, 8 solid primary color luncheon plates, and 8 assorted bowls and 4 clear glasses?

With no patterns in the dishes to help set the seasonal mood, I decided to use patterned placemats. Placemats take up less storage room than dishes and cost less to replace if they get stained or you just want a change. Seasonal paper napkins and decorative elements gathered from around the house for centerpieces rounds out the table. Since white contrasts best with colored or patterned placemats I used the white dinner plates as the base for the place settings.

Spring bursts onto the table in shades of yellow, white, and turquoise. A vase of airy pink flowers adorns the center of the table, and a cocktail napkin containing all four colors ties the place setting together. If you’re having an Easter dinner, a pretty Easter basket filled with battery operated candles would be the perfect centerpiece, or unwrap that giant chocolate bunny you bought, set him on a plate with your homemade Easter eggs and fill in the empty spots with Easter grass. This is one centerpiece you won’t have to store.  J

Celebrate summer’s freedom holiday with a red, white and blue theme. A candle in a star shaped dish sets center stage. If you have them, a few sparklers set in small balls of clay around the candle would be an interesting touch. (I didn’t, so I just went with the single candle.) Placing blue and red napkins in the glasses gave the hint of fireworks to the table settings.

I was sorely tempted to break out the garden dishes to create a summer garden party theme, but since I figured most people don’t have an assortment of flower and veggie shaped dishes, that would be cheating on the challenge.

When the temperatures drop and autumn rolls around, bring out the warmer colors of yellow and red to contrast with the warm wood tones of your table. A circle of leaves around a tall candle works as a centerpiece and draws in all the colors of the plates into the palette. If you have fall placemats they can be used under the dishes. I only had two matching autumn placemats, so I chose to forego them on this table setting. Instead of white bowls I used some red and green ramekins to pull in more fall color.

Christmas brings out the traditional, cheery colors of red and green. I interspersed green ramekins with the white bowls for a touch more green in this palette and to make the bowls pop on the red plates. Using green napkins in the glasses looks like you have tiny evergreen tree on your table.

With 20 dishes, not counting the clear glasses, I’ve created four attractive seasonal place settings. Now, the trick will be to not let the hubby see what I can do with only 20 dishes. Because if he finds out, I’ll have no more excuses to buy tableware.

Which one of these table settings do you like best? I can’t decide. I may just have to see how many more I can create using a few unusual pieces. Oh! New antiquing idea—searching for unique seasonal serving pieces to set off my five-color scheme place settings. Then I think I’ll have some dinner guests over—once COVID is gone.

What about you? How do you create inviting dinner tables?

Now that you’ve got some great table settings lined up, relax with Catherine’s multi-award-winning inspirational romantic suspense novel The Nun and the Narc.

Where novice Sister Margaret Mary goes, trouble follows. When she barges into a drug deal the local Mexican drug lord captures her. To escape she must depend on undercover DEA agent Jed Bond. Jed’s attitude toward her is exasperating, but when she finds herself inexplicable attracted to him he becomes more dangerous than the men who have captured them, because he is making her doubt her decision to take her final vows. Escape back to the nunnery is imperative, but life at the convent, if she can still take her final vows, will never be the same.

Nuns shouldn’t look, talk, act, or kiss like Sister Margaret Mary O’Connor—at least that’s what Jed Bond thinks. She hampers his escape plans with her compulsiveness and compassion and in the process makes Jed question his own beliefs. After years of walling up his emotions in an attempt to become the best agent possible, Sister Margaret is crumbling Jed’s defenses and opening his heart. To lure her away from the church would be unforgivable—to lose her unbearable.

The Nun and the Narc is available on Amazon and Barnes and Noble

Multi-award winning author Catherine Castle loves writing. Before beginning her career as a romance writer she worked part-time as a freelance writer. She has over 600 articles and photographs to her credit, under her real name, in the Christian and secular market. She also lays claim to over 300 internet articles written on a variety of subjects and several hundred poems. In addition to writing she loves reading, traveling, singing, theatre, quilting and gardening. She’s a passionate gardener whose garden won a “Best Hillside Garden” award from the local gardening club. She writes sweet and inspirational romances. You can find her award-winning Soul Mate books The Nun and the Narc and A Groom for Mama, on Amazon and Barnes and Noble.

Follow her on Twitter@AuthorCCastle, FB or her blog.

One of the favorite dishes of armchair warriors, chili has so many combinations and gastric consequences, I’m sure it could be deemed as a weapon of mass destruction. Sports fans absolutely love their chili, especially when tailgating with other like-minded souls. We’ve discovered one recipe that’s a sure-fire way to keep you warm inside and out, while waiting for your team to get the game started.

Make ahead the day before and reheat or prepare on the fly, this spicy version takes 30 minutes to prep, cooks for 2 hours, and serves 12 of your closest blood-thirsty family or friends. A warning: have plenty of water or your preferred adult beverage on hand, along with a stack of napkins to not only wipe your mouth, but soak up your tears.

Heat a large stock pot over medium-high heat. Crumble the ground chuck and sausage into the hot pan, and cook until evenly browned. Drain off excess grease.

Pour in the chili beans, spicy chili beans, diced tomatoes and tomato paste. Add the onion, celery, green and red bell peppers, chili peppers, bacon bits, bouillon, and beer. Season with chili powder, Worcestershire sauce, garlic, oregano, cumin, hot pepper sauce, basil, salt, pepper, cayenne, paprika, and sugar. Stir to blend, then cover and simmer over low heat for at least 2 hours, stirring occasionally.

After 2 hours, taste, and adjust salt, pepper, and chili powder if necessary. The longer the chili simmers, the better it will taste. Remove from heat and serve, or refrigerate and serve the next day.

Ladle into bowls and top with shredded Cheddar cheese. Serve with nacho chips for dipping.

After the game or while you’re waiting on the chili to simmer, take a timeout for yourself, and crack open one of my books. May I suggest a visit to Fairy Falls, or if you’re feeling really adventurous, a trip back in time with The Last Timekeepers? Whichever you choose, I assure you that either series will boost your mood, and take you away from the game of life.

Trouble choosing? Here’s a taste of The Last Timekeepers and the Noble Slave, Book 3 in my young adult time travel adventure series…

True freedom happens only when you choose to be free.

Eleven-year-old Drake Bailey is an analytical thinker and the genius of the Timekeeper crew. However, no logic or mathematical acumen can change the color of his skin, or prepare him for this third Timekeeper mission in antebellum Georgia. To survive, Drake must learn to play the role of a plantation slave and when confronted with the brutality, hatred, and racism of the deep south, he’ll have to strategically keep one move ahead of his sadistic captors to ensure his lineage continues.

In a dark world of Voodoo, zombies, and ritualistic sacrifice, the Timekeepers must ensure a royal bloodline survives. Can Drake remove both literal and figurative chains to save both himself and a devout slave girl from a terrible fate? If he can’t summon the necessary courage, humanity could stand to lose one of its greatest leaders.

AMAZON BUY LINK

This is definitely a treat for your favorite ghosts and ghouls. Two Halloween books from children’s author Tina Ruiz. The amazing illustrations are done by Ishika Sharma. This creative duo knows how to put life and fun into children’s books to encourage young people to read. As with all of Tina’s children’s stories, there’s a moral at the end.

My YA Southern Gothic novel, Koush Hollow, is set in a fictional town outside New Orleans. The title was inspired by the word cauchemar and its Southern meaning.

Koush is a derivative of cauche, which means a terror that comes in the night. The French translation is to press or trample. Mare comes from Old English and means an incubus or night-goblin. In southwest Louisiana cauchemar has another meaning. It refers to a witch-riding, a supernatural attack while one sleeps.

Various cultures in Asia, Africa, Europe, the Middle East, and the Americas have different names for this phenomenon that has been experienced over the centuries. In seventeenth century North America, victims of accused Salem witches suffered from these witch-riding nightmares. The same kind of attacks are mentioned in present-day Southern folklore. The terrifying supernatural event occurs in the moments before waking up when one tries to move, but cannot. The paralysis is blamed on the supernatural and described as a feeling of pressure on one’s chest as if a demon were sitting on it or as if a witch were riding the person.

Some believe the evil creature sucks the breath out of its victim while slowly killing them. During this sleep paralysis, victims claim to be choked or prodded with the creature’s claws, and they are filled with panic until the creature disappears into thin air. Others believe there is no meaning to the event while others believe it is a warning to seek forgiveness for one’s sins. The painting by Johann Heinrich Fusilli aptly titled The Nightmare depicts a cauchemar with a demonic creature posed on a woman’s chest while the horse in the background stares wide-eyed with fear on its face.

As Koush Hollow is set outside of New Orleans in a place where bayou magic abounds, dreams are frightening, and beauty masks the real monsters, it’s a well-suited title. Here’s a little to intrigue you.

Koush Hollow:
Where bayou magic abounds and all that glitters…is deadly.

After her father’s untimely death, Jenna Ashby moves to Koush Hollow, a bayou town outside of New Orleans, dreading life with her wealthy mother.

As the sixteen-year-old eco-warrior is introduced to the Diamonds & Pearls, her mother’s exclusive social club, she comes to the troubling realization that secrets are a way of life in Koush Hollow.

 How do the Diamonds & Pearls look so young, where does their money come from, and why is life along the bayou disappearing?

As Jenna is drawn into their seductive world, her curiosity and concerns beg her to uncover the truth. However, in this town where mysticism abounds and secrets are deadly, the truth is not what Jenna could have ever imagined.

EXCERPT
This excerpt is from Chapter 1 of Koush Hollow. The sixteen-year-old main character, Jenna, seems to have a waking nightmare where an interesting creature appears, but only to her. Is it real or is it a dream?

Tap, tap.

My eyes flashed wide. A curvy, gray-haired lady tapped on my passenger side window. Jenna, snap out of it, I thought to myself. I breathed and remembered how to roll the window down.

“You okay, hon’?” She stared at my hands. “You’re shaking like you drank ten café lattes.”

“I’m j-just a little on edge. I mean, I thought I hit that…that woman.”

She jolted upright and looked around. “What are you talking about?”

My gaze flitted all around her. “She w-was r-right there—the painted woman,” I stuttered and pointed. “Where did she go?” My knees finally stopped knocking, allowing me to slide out of the car.

“You didn’t hit anyone. Are you on something?”

I stumbled to the front and bent over searching underneath the car. Nothing. No one. I stood up and scanned the sidewalks, but I didn’t see the mysterious woman anywhere.

“Maybe you shouldn’t be driving, hon’.”
Maybe I shouldn’t be.

“Is there someone I can call?” she asked.

I wiped my sopping wet forehead with the back of my hand. It had to be stress affecting me. It had been a tough few months and maybe it was catching up with me. I turned to the kind woman. “I’m only a few minutes from my mother’s house.” I’d get the Diet Cokes and vitamins later. “I’ll be fine. Thank you.”

We both returned to our cars. She waited for me to move. With trembling fingers, I managed to shift into drive. I pumped the brakes to see if they worked. They worked fine. The rattling sound in the engine was gone, too. I could hardly think straight. Was that Voodoo woman real or a figment of my imagination? I shoved aside the bad feeling, inhaled a calming breath, and decided to apply logic, which suggested the whole thing was a brain-glitch from stress. However, no matter how logical I tried to be, the uneasy feeling remained.

Leigh Goff writes young adult fiction. She is a graduate from the University of Maryland and a member of the Society of Children’s Book Writers & Illustrators (SCBWI).

Born and raised on the East Coast, she now lives in Maryland where she enjoys the area’s great history and culture.

Her third young adult novel, Koush Hollow, a Southern gothic set in New Orleans, was released on September 1, 2020 from The Parliament House.

Learn more about Leigh Goff on her website and blog. Stay connected on Facebook, Instagram, Pinterest, and Goodreads.

Voodoo is the product of the slave trade (principally in the Spanish and French colonies in the Caribbean), and derives from vodu, meaning spirit or deity in the Fon language of Dahomey, now part of Nigeria. Creole slave masters in the New World translated the word into vaudau, and eventually became known as voudou, voudoun, vodoun, voodoo, and hoodoo. Whites forbade their slaves to practice their Voodoo religion on pain of torture and death. Any slave found possessing a fetish (sacred objects such as dolls, carved images, animal teeth, claws or bones) was to be imprisoned, hanged, or flayed alive. Seems like the equivalent of the Spanish Inquisition, don’t you think?

To save black souls, the masters baptized the slaves as Catholics. Tribal deities took on the forms of Catholic saints, and fetishes were replaced by Catholic statues, candles, and holy relics. Voodoo therefore consists of both traditional West African beliefs blended with local variations, and also of various magical techniques employed to achieve certain ends, including the descent of the gods into individual worshippers to give oracles and to provide protection. These magical techniques are known as Obeah.

There are many theories about the origins of Obeah, even the word itself. There are many words in
many West African languages that have ‘obi’ or ‘obea’ in theme that are connected to mysticism. Since many Igbo people were taken to the West Indies as slaves though, the term most likely originated from the Igbo word ‘obia’ which means working as a healer or doctor. Some call it sorcery or witchcraft, however unlike some western forms of witchcraft, it also does not come from an attitude of the Spirits serving the person, but the person serving the Spirits. Obeah practitioners would consider it unthinkable to summon a demon and give it orders as if it was obligated to obey. Like any Voodoo practitioner, if they’re calling on a Spirit, they follow the proper procedure, approach with humility, and do not show up empty handed.

In the third instalment of The Last Timekeepers time travel adventure series, The Last Timekeepersand the Noble Slave, my character Henri is a mulatto slave driver who’s originally from Louisiana, and practices Voodoo. Louisiana Voodoo (a.k.a. New Orleans Voodoo) developed within the French, Spanish, and Creole population of the U.S. state of Louisiana. It is often confused with—but not completely separable from—Haitian Voodoo and southern Hoodoo (folk magic). Henri’s practices differ from Voodoo in the emphasis upon his use of Gris-Gris (charm bags filled with magical powders, herbs, bones, feathers, and so on) and Voodoo dolls to control and manipulate the plantation slaves.

In contrast, another character—a slave from Jamaica named Eilish, practices Obeah. She embodies what it is to be ‘Obeah’ and believes no human is stronger than Nature itself, and that every action has consequences. Her biggest belief? Don’t do bad things to people. That’s it. To the Obeah, when you do bad things to people, you put a wound on your soul. Even in the scientific sense, harming others damages you psychologically. So the more wrong you do to others, the more vulnerable you become to the dark forces of Nature.

Speaking of dark forces, those who worship Voodoo may not all practice black magic, but darker aspects of Voodoo do exist. A practitioner known as a bokor is more involved in sorcery than healing, and their greatest fear is not a death curse but zombification. Now that’s what I’d call some badass karma! In the end, if you do your best to make up for your wrongs, you will be blessed in other ways. You will at least have peace and be stronger for what you have learned.